Graflex.org Forum Index Graflex.org
Get help with your Graflex questions here
 
 FAQFAQ   SearchSearch   MemberlistMemberlist   UsergroupsUsergroups   RegisterRegister 
 ProfileProfile   Log in to check your private messagesLog in to check your private messages   Log inLog in 

Infinity Stops for Dummies

 
Post new topic   Reply to topic    Graflex.org Forum Index -> Speed Graphic Help
View previous topic :: View next topic  
Author Message
Lobalobo



Joined: 11 May 2007
Posts: 59

PostPosted: Fri Oct 26, 2007 5:55 pm    Post subject: Infinity Stops for Dummies Reply with quote

Although I have seen instructions on this site for adjusting infinity stops, including in an answer to me in another thread (about lenses), I'm not sure I follow them (thus the "for Dummies" in the title of this post). So with apologies in advance, I ask experienced users for some help here.

Just today, I bought a Fujinon 125mm f/5.6 W lens with a Copal 0 shutter to use with my Crown Graphic. The lens that came with my camera is an Ilex 6.5 in an Ilex shutter. (My objective was not a wider lens, though I'm happy with that; I was looking for a sharper lens, and the price was right.) The way I have used the camera so far with the Ilex lens is to pull the bellows out to the infinity stop (which was presumably set for the Ilex when the camera was manufactured), lock it down, then focus using the ground glass. I need to set different infity stops for the wider Fuji lens, I know, but I'm not entirely sure how.

It occurs to me that one way is to set the focus knob to inifity, point at something in the distance, then adjust the bellows until the image is in sharp focus, locking down when I achieve that point. I could then mark the spot and move (or add) the infinity stops there. This makes logical sense to me, and seems simple, but the instructions I found don't seem to recommend this (though I'm not entirely sure what they do recommend, with suggestions such as moving a "yoke" 1/8 of an inch). I'm wondering why the method I just described isn't correct or isn't good. Any suggestions are welcome.

Then there is the question of physically moving stops, or adding stops. Is it a matter of just getting a small screwdriver and loosening the screws (assuming I can find them), or is there more involved. What about buying additional stops? Can anyone suggest where?

Thanks.
Back to top
View user's profile Send private message
45PSS



Joined: 28 Sep 2001
Posts: 4081
Location: Mid Peninsula, Ca.

PostPosted: Fri Oct 26, 2007 9:53 pm    Post subject: Reply with quote

Quote:
Although I have seen instructions on this site for adjusting infinity stops, including in an answer to me in another thread (about lenses), I'm not sure I follow them (thus the "for Dummies" in the title of this post).

Take thingofamagig A and turn it all the way back then foward a smigin and lock it there. Then take the dohickey and slide it out and lock it when things appear sharp at the back of the camera. Slide whatyoumaycallits up against the dohickey and tighten them down and your finished.



Quote:
It occurs to me that one way is to set the focus knob to inifity, point at something in the distance, then adjust the bellows until the image is in sharp focus, locking down when I achieve that point. I could then mark the spot and move (or add) the infinity stops there. This makes logical sense to me, and seems simple, but the instructions I found don't seem to recommend this (though I'm not entirely sure what they do recommend, with suggestions such as moving a "yoke" 1/8 of an inch). I'm wondering why the method I just described isn't correct or isn't good. Any suggestions are welcome.


Welcome to the wonderful world of Graflex confusion. From the begining of time thru the Anniversary speed the rails (yoke in formal graflex speak) was set fully rearward then lens infinity was based on that rail setting. Next came the "I want to be a Photographer too" crowd and when they picked up one of these cameras they could not believe what they were seeing was correct so they ask why can't I focus past infinity so that I can verify that I am actually at infinity.
Graflex, being accomidating people and willing to do anything to make a buck, accomidated these photographers when they introduced the Pacemaker line by setting the rails .040 (1/8 ) foward from fully retracted as the infinity position. All factory infinity settings were done when the rails were set to this position Unless the photographer requested that they be set up differently.

If your current infinity stops , RF, and focusing scales are set up with the yoke .040 inch foward from full rear then I would continue to use that position to set up any other lens that you use on the camera to keep every thing in sync and not confuse yourself with "did I ste this one up this way or that way?". You can set the rails anywhere you want to and set up infinity there but you will loose some functionality, such as not getting full benifit of the bellows length.

Infinity stops show up on ebay frequently. A call to Jim at Midwest Photo might turn some up also.

So, set the camera up on a tripod, set the rails to the infinity position that you desire, slide the front standard with mounted lens attached until the image on the ground glass is tack sharp with the front standard locked and square to the rails/body/ground glass. Marking the rails in this position is ok but the next time you use the lens you may lock it down with a little swing induced without knowing it. You can, on initial set up, measure from the front standard to the existing infinity stops and make a spacer to fit between the infinity stops and the front standard between the inside of the rails for this lens in lew of a second set of infinity stops.

Infinity stops should come with the screws in them. They have 1 screw that is flat on the bottom and 1 screw that has a sharp point on the bottom. If the stops do not have the screws pass on them as you will need to make new ones. Once you have another set of stops then put them on the rails in front of the lens (in most cases) then set the front standard up for infinity and then tighten the stops against the front standard. Because the stops slide in the outer edge of the rails it is possible to start them from the rear of the rails and slide them foward so it is not necessary to reposition the currently installed ones if the new ones go behind them.

Now, has the mud settled to the bottom of the pond or have I upset or confused you more?
Back to top
View user's profile Send private message Visit poster's website
Lobalobo



Joined: 11 May 2007
Posts: 59

PostPosted: Fri Oct 26, 2007 10:06 pm    Post subject: Thank You Reply with quote

To be honest, I'm both clearer (on some things) and more confused (on others) but am unambiguosly grateful that you took the time to respond. Let me play with the camera for a while to get a sense for what happens when I move various things around and then I'll post again. Thanks again.
Back to top
View user's profile Send private message
Dan Fromm



Joined: 14 May 2001
Posts: 2148
Location: New Jersey

PostPosted: Fri Oct 26, 2007 11:56 pm    Post subject: Reply with quote

Look, WolfWolf, the risk you face is that if the bed stops are set up for a 6.5" lens then when you put the front standard against them and mount a 5" lens you may not be able to focus it to infinity. Whether this will be a problem depends on your two lenses' flange-to-film distances.

So try the 125 out and see whether it will make infinity with the front standard against the stops and the rail fully retracted. I expect that it won't.

If it doesn't, you have several choices. Relocate the stops appropriately; loosen the screws and they'll slide. Add a pair of stops and postion them correctly for the 125. Cobble up a gadget that will let you square the front standard up with the rails no matter where it is (with Pacemakers it is easy to get a little unintended swing if you just pull the front standard part-way out and lock it in position).

FWIW, I use numerous lenses on my 2x3 Graphics (focal lengths from 38 mm to 480 mm). Since the Kalart RF (each of my Graphics has one) can be set up for only one lens at a time, getting many sets of stops makes little sense. So I have a device, cross-section like an inverted rather flat top hat, that fits in the rails. Pop it in at about the right place, pull the front standard to it, and there I am.

Good luck, have fun, don't think too hard,

Dan
Back to top
View user's profile Send private message
troublemaker



Joined: 24 Nov 2003
Posts: 715
Location: So Cal

PostPosted: Sat Oct 27, 2007 1:53 am    Post subject: Reply with quote

Since yawl er on the subject, I found a nice tool for squaring stops a while back at the local hardware store. I have beenusing it non-stop. Ha ha...
Inexpensive, and the small straight edge is movable, and re-moveable for using as a straight edge for rail allignment etc...
General Tool part #444
I posted a couple images if anyone wants to see the little bugger.
I like it because, as you can see in the pictures, it fits the Graphic rails perfectly, and works equally well on 4x5 and esspecially my favorite smaller 2x3's.
http://photo.net/photodb/folder?folder_id=777803
Back to top
View user's profile Send private message
Dan Fromm



Joined: 14 May 2001
Posts: 2148
Location: New Jersey

PostPosted: Sat Oct 27, 2007 12:06 pm    Post subject: Reply with quote

So that's what depth gauges are for!

Slight typo in the URL, it should be http://www.photo.net/photodb/folder?folder_id=777803
Back to top
View user's profile Send private message
45PSS



Joined: 28 Sep 2001
Posts: 4081
Location: Mid Peninsula, Ca.

PostPosted: Sat Oct 27, 2007 5:11 pm    Post subject: Reply with quote

Oh, so that's what that thingofamabob is! (both post links work on my machine.)


Lobalobo
There is a factory service manual for the Pacemaker series cameras available at http://www.southbristolviews.com/ via the Graflex Manuals link. The infinity setup is in the Rangefinder section, manual page 5/pdf page 7, section C, paragraph 2b & manual page 6/pdf page 8, paragraph 2c. Infinity stop setup is manual page 6/pdf page 8, paragraph 2 f.
Back to top
View user's profile Send private message Visit poster's website
troublemaker



Joined: 24 Nov 2003
Posts: 715
Location: So Cal

PostPosted: Sat Oct 27, 2007 6:14 pm    Post subject: Reply with quote

Oh my, I apologize for misrepresenting the thingmabob when in actuality it is a thingmagiggy. But, as a thingmagiggy, it is lacking; however, when used as a thingmabob, it is very handy dandy.
On the other hand, and thanks to Charles for posting the link, one needs to know how and where to properly position things in the first place.

Cheers
Back to top
View user's profile Send private message
Lobalobo



Joined: 11 May 2007
Posts: 59

PostPosted: Sun Oct 28, 2007 2:55 am    Post subject: Basic Principles of Focal Length Reply with quote

You have all been very helpful, and I think I get it now. My only question is about setting infinity to my "desired" location. I assume that refers to the 1/8 inch business. In any case, wouldn't it make sense to set infinity to the infinity indicator on the knob? This may be 1/8 inch forward from dead back, but whatever it is, if I set the infinity tabs correctly (making sure everything is square) I can use that setting without concern. Am I right?
Back to top
View user's profile Send private message
45PSS



Joined: 28 Sep 2001
Posts: 4081
Location: Mid Peninsula, Ca.

PostPosted: Sun Oct 28, 2007 3:47 am    Post subject: Reply with quote

Quote:
My only question is about setting infinity to my "desired" location.
That desired location could be anywhere from full back to as far foward that you cared to move the rails. The comment was made as you can set up infinity with the rails set anywhere you like.
Quote:
if I set the infinity tabs correctly (making sure everything is square) I can use that setting without concern. Am I right?

Yes.
Quote:
In any case, wouldn't it make sense to set infinity to the infinity indicator on the knob?

I have never seen an infinity mark on the knob, please elaborate if your has one.
_________________
The best camera ever made is the one that YOU enjoy using and produces the image quality that satifies YOU.
Back to top
View user's profile Send private message Visit poster's website
Lobalobo



Joined: 11 May 2007
Posts: 59

PostPosted: Sun Oct 28, 2007 2:44 pm    Post subject: Infinity Tabs (not on the Knob) Reply with quote

Thanks again. I don't have the camera in front of me (and won't for a bit) so I'll try to reply from memory (and thanks again for all your help). I misspoke (mistyped) when I mentioned infinity on the "knob." What I meant was that infinity is marked on the bed, and so when I turn the focus knob a mark on the rails move relative to the mark. So that's what I meant when I suggested using the infinity mark. This also leaves me a bit confused still with regard to the notion of setting the rails wherever I want. Is it possible to move the rails without the focus knob? If the answer is yes, then of course I get what you mean about setting the rails where I want, but I hadn't noticed any way to move the rails except with the focus knob. But as I write, I realize that I must be wrong about this or how the focus knob works. Sorry if I just misremember and am wasting your time.
Back to top
View user's profile Send private message
troublemaker



Joined: 24 Nov 2003
Posts: 715
Location: So Cal

PostPosted: Sun Oct 28, 2007 3:33 pm    Post subject: Reply with quote

That is the focussing distance scale. The outboard part is fixed, while the inboard can be loosened and re-alligned etc... Very helpful when finishing up a rangefinder calibration. The proper setting is to have the infinity marks line up when the rails are from 1/16 to 1/8" forward of reward movement limit. (Does that help?) With these infinity marks lined up on the bed and rails, one moves the front lens standard in or out until an object a mile or so distant is in sharpest focus on the Ground Glass viewing screen.
The comment above just meant that regardless of proper set-up, one can change things any ol' way they want based on where the lens standard makes sharp focus and the marks line up on the bed.
However, my question is are you wanting to set infinity only for the new lens, or are you also wanting to calibrate the rangefinder to match the lens?
Regardless of RF calibration, folks use extra stops for supplimental lenses, and also add distance scales to match. They then can do safe-set focussing.
Back to top
View user's profile Send private message
Lobalobo



Joined: 11 May 2007
Posts: 59

PostPosted: Mon Oct 29, 2007 4:45 pm    Post subject: Understanding Infinity Reply with quote

Believe it or not, I now think I am entirely clear on how things work. Not sure I know how I would loosen and adjust the rails to within 1/8" or 1/16" of the rearward limit, but I'm hoping I wont need to, as I think the way it's set now I can already focus past the infinity mark and my camera doesn't have a rangefinder, either top or side (unless I've been staring at it and not seeing it for months), just a viewfinder, which I don't intend to use either. I'm going to use the Crown Graphic as a low-cost substitute for a view camera, which is why I bought the new lens; so it will be ground-glass focusing only for me. The information on the infinity stops is valuable to me anyway, as I hadn't thought about the risk of unintended swing, so it makes sense to adjust the existing stops, to add new ones, or to otherwise block the front standard so as to keep it locked down square. Thanks again.
Back to top
View user's profile Send private message
PhotoTech



Joined: 11 Nov 2007
Posts: 3
Location: Apex, NC

PostPosted: Sun Nov 11, 2007 5:51 pm    Post subject: Infinity Stops For Dummies Reply with quote

Being new to the Graphic world, and before I found this most informative website, I set my infinity stops using a 250 yd. target for infinity. Known shorter distance were off on the scale. With the goal of avoiding rangefinder cam fabrication and changes, I wanted a simple bed distance scale when using the 120 or Polaroid film backs with different lenses. It was apparently not to be. Then I realized that the progression to infinity is more apparent compared to smaller formats. Following the above advice, I dialed back the yoke, moved it forward .040" (just under 1/16"), reset the distance scale on the yoke, used a tower, approx. 1000 yds distance, and set the infinity stops for the 127mm and 105mm lenses. The ground glass and the distance scale are now accurate for the 127mm lens and a simple scale marked for the 105mm is reliable. And yes, the 250 yd. target is in focus about a mark width before infinity.
_________________
Chuck
Back to top
View user's profile Send private message
45PSS



Joined: 28 Sep 2001
Posts: 4081
Location: Mid Peninsula, Ca.

PostPosted: Sun Nov 11, 2007 8:47 pm    Post subject: Reply with quote

The moon is an excellent infinity target although it is not always present at the moment you need it. Good to hear you got your camera usable.
_________________
The best camera ever made is the one that YOU enjoy using and produces the image quality that satifies YOU.
Back to top
View user's profile Send private message Visit poster's website
Display posts from previous:   
Post new topic   Reply to topic    Graflex.org Forum Index -> Speed Graphic Help All times are GMT
Page 1 of 1

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum


Powered by phpBB © 2001, 2005 phpBB Group