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Extension box or bellows

 
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bcorbin@bigsky.net



Joined: 11 Feb 2002
Posts: 2
Location: Montana

PostPosted: Thu Jan 15, 2004 5:07 pm    Post subject: Reply with quote

Does anyone know if Graflex made an extension box or bellow system for the Crown Graphic 4x5. I have recently obtained a 210/370 convertible lens and want to use it at its max focal lenght but do not have enough bellows. If there is no extender system, how have other members solved this problem.

Also, does any member have a Copal 1 Shutter specifically aperature scaled for a 270mm lens and with both X&M Synch that they would like to sell?? I will swap a later Copal 1 with X Synch only for it or buy outright.

Thanks for any help anyone can give me concerning these requests.

Roy
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Dan Fromm



Joined: 14 May 2001
Posts: 2146
Location: New Jersey

PostPosted: Thu Jan 15, 2004 8:03 pm    Post subject: Reply with quote

Quote:

On 2004-01-15 09:07, bcorbin@bigsky.net wrote:
Does anyone know if Graflex made an extension box or bellow system for the Crown Graphic 4x5. I have recently obtained a 210/370 convertible lens and want to use it at its max focal lenght but do not have enough bellows. If there is no extender system, how have other members solved this problem.

Also, does any member have a Copal 1 Shutter specifically aperature scaled for a 270mm lens and with both X&M Synch that they would like to sell?? I will swap a later Copal 1 with X Synch only for it or buy outright.

Thanks for any help anyone can give me concerning these requests.

Roy
Coupla thoughts.

I have two 2x3 Graphics, use longer lenses on them than commonly thought possible, e.g., 210/9 Konica Hexanon GRII. The GRII screws into an adapter the late Steve Grimes made for me, and the adapter then screws into a #1. I have a 260/10 Nikkor, am going to have a similar adapter made for it. This won't work for you, but if you were to mount as fat a piece of pipe as possible on the board and then put y'r lens+shutter in 370 mm configuration in front of it, it might work.

Um, the local powers that be frown on ******* and want to buy listings. I don't care, but they do. FWIW, SKGrimes (the man is dead, the firm lives on) charges around $40 to make a scale and put it on a shutter. Don't know if m sync can be added, you'll have to ask. Think about hunting for an old #1 Syncro Compur, takes the same cells as a Copal 1 and may be easier to find.

Cheers,

Dan
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Nick



Joined: 16 Oct 2002
Posts: 494

PostPosted: Thu Jan 15, 2004 10:30 pm    Post subject: Reply with quote

Dan are you saying an adapter to screw a Nikkor process lens into a shutter?
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Dan Fromm



Joined: 14 May 2001
Posts: 2146
Location: New Jersey

PostPosted: Thu Jan 15, 2004 11:23 pm    Post subject: Reply with quote

Quote:

On 2004-01-15 14:30, Nick wrote:
Dan are you saying an adapter to screw a Nikkor process lens into a shutter?
Nick, I now have adapters to screw a 210/9 Konica Hexanon GRII (process lens), a 210/4.5 Industar-51 (general purpose tessar type), a 210(?)/7.7 Boyer (process lens), and a 100/6.3 Reichert Neupolar (macro intended to be used above 1:1) into a #1. That's four adapters. The 210s all cover 2x3 at infinity, the Neupolar doesn't but that's because it can't, not because of vignetting by the shutter.

I have a 260/10 Process Nikkor (yes, a Supernatural Grand Lens) that I'm going to have an adapter to #1 made for. Big lens, expensive adapter, alas. $125 at SKGrimes, more than the lens itself cost. I've stuffed it into the GRII's adapter and verified, I think, that it will cover 2x3 at infinity.

NONE of these things will cover 4x5 at infinity in front of a #1, but they're fine on 2x3. As adapted they all make infinity on a 2x3 Pacemaker Speed and a Century.

I have other smaller process lenses, viz., a 150/9 Konica Hexanon GRII and a 150/9 Taylor Hobson Cooke Copying Lens. This last is a tiny, tiny tessar type that should cover 4x5 at infinity when stuffed into the front of a #1; I've verified that it has no difficulty covering 2x3. It is scheduled to have an adapter made, the 150 Konica isn't. Enough ridiculousness is enough.

The most ridiculous lens I have for 2x3 is a 12"/4 Taylor Hobson telephoto as made for Vinten F95 and Agiflite aerial cameras. This thing is too huge to put in or in front of a shutter, but even though its bigger than the board it can be put on a 2x3 Pacemaker Speed. Works well.

I've had an even more ridiculous lens, a 6"/1.9 Dallmeyer Super Six that I bought because it was so absurd. Sold it on eBay after another one brought a very high price. Didn't need a lens too heavy to carry that badly.

Cheers,

Dan
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45PSS



Joined: 28 Sep 2001
Posts: 4081
Location: Mid Peninsula, Ca.

PostPosted: Thu Jan 15, 2004 11:56 pm    Post subject: Reply with quote

Roy,
A post on photo.net a while back described this procedure for MAKING an aperture scale:
Set camera with lens/shutter on a tripod 15 feet or so from a light colored wall. Light the wall well. Set lens to infinity focus. Open shutter for focusing. Mount a Gossen Luna Pro to read the ground glass at lens center. Block out all extraneous light to the camea back. Open the aperture control to maximum movement. Zero the meter. Adjust aperture lever until meter just moves then back off so that it returns, mark scale where lever is just before causing any meter movement. This is minimun aperture.If aperture is a whole stop such as f4, fine but if a fractional stop such as f4.5 then determine the fraction of stop. Move lens aperture lever until 1 whole stop is indicated or the complimnetry fraction is indicated on the meter and mark scale. This is the next whole stop. Rezero the meter as needed as it will only read 3 stops change and continue until you have reached the lens limits. One could mark 1/3 or 1/2 stops along the way if wanted using this method.
Any meter that has full/fractional f stop readouts can be used.
Chalres

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Dave



Joined: 05 Dec 2003
Posts: 78
Location: Canada

PostPosted: Fri Jan 16, 2004 1:44 am    Post subject: Reply with quote

I suppose a good cabinetmaker could make an extension box, with a couple of hours' work, some thin plywood, and a salvaged Graflok back. It would be so cumbersome in use that you'd be better off with a view camera.

Just brainstorming-- an even more clumsy solution (two tripods) would be to simply make a lensboard-to-Graflok adapter, and join two Graphics together as a tandem camera setup. I've never heard of anyone doing this with two Graphics, but there's no reason it shouldn't work. I've done this with a 35mm on my Century, but has anyone heard of it with two Graphics in series?

I think box-like extensions were made for the Graflex XLs, but if I remember correctly, those ones don't have the right fittings to mate with any Graphic (even a 23).

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disemjg



Joined: 10 Jan 2002
Posts: 474
Location: Washington, DC

PostPosted: Sat Jan 17, 2004 12:32 am    Post subject: Reply with quote

Here is a solution to allow you to use the lens converted, but not unconverted. You want to push the lens further from the film plane but have insufficient bellows draw. Then what you do is push the lens mounting point away from the lensboard. Hopefully you have a junker Pacemaker board available for this exercise, one with a big hole. Then you need to fabricate a spacer to attach to the lensboard, with the plan being that a secondary lensboard (just a flat surface) will be attached to the far end of the spacer. The first thing I would try for this spacer would be a section of PVC pipe, mabye three or four inches long. Try to get thin wall pipe if you can to keep the weight down, although it may not be that big an issue. A heavyweight cardboard tube of the right size could also work wonders here. Whatever the tube is made of, it should be farily large in diameter, about two thirds to three quarters of the available face of the lensboard. Cut the ends as square as you can, and epoxy one end to the old Pacemaker board. Go to the hobby shop and get a thin piece of model aircraft plywood; cut an appropriate hole in the plywood for your shutter, center it on the businss end of the tube, and epoxy the plywood to the tube. Leave some overhang all around. When dry, trim off the excess and sand it flush. Mount the lens, and check out the way the lens focuses to see if things worked out right. Hopefully the spacer will allow you to go to infinity using only mabye a third or less of the bellows draw, to allow closer focus and reduce strain on the bellows. If all is well, take the lens off, dress up any last assembly warts, and paint the inside and out flat black. Re-attach the lens and you are in business. You may want to use a cable release to avoid the long reach to the front of the lens. Rube Goldberg would be proud.

Obviously this is a kludgy solution that while allowing you to play with the converted lens is totally unsat insofar as being able to convert the lens whenever you want to. I do not think there is a practical way for you to really use a convertable lens, at least of that focal length, on this camera. It is asking too much.

While you did not specify what lens you actually have, I am presuming that is is a convertable Symmar. If the shutter does not have a secondary scale in GREEN then it is a replacement; the original shutters for these lenses had dual scales to take care of the base and converted focal lengths.
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DenisP



Joined: 14 Oct 2002
Posts: 43
Location: Croatia, Europe

PostPosted: Sun Jan 18, 2004 9:16 am    Post subject: Reply with quote

Quote:

The first thing I would try for this spacer would be a section of PVC pipe, mabye three or four inches long. Try to get thin wall pipe if you can to keep the weight down, although it may not be that big an issue.


For a sample of homemade lens "extended" board, you might check my "SG lens hacks" page:

http://open.hr/~dpleic/photo/SG_lens.html

There's a description of how to use a longish (long focus) lens on a Pacemaker SG: see "Tele" solution.
However, I use FP shutter with this lens, so this might not apply to your problem.

Regards,

Denis
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